So, here we are at the final part – the Working Bibliography. Now, this one is kind of simple and straight forward.

 

Like the other sections I have TWO versions of the Working Bibliography here, 1.0 and 1.5 but unlike other sections there is no designation of OLD or NEW. That is because version 1.0 actually is an expanded version that most likely contains works and resources that will still make it into my dissertation while 1.5 is simply an “abbreviated” version of it for the official dissertation prospectus document to be submitted to the graduate school.

 

 

Working Bibliography 1.0

Andrae, Thomas. “From Menace to Messiah: The History and Historicity of Superman.” Discourse 2 (1980): 124-138. Print.

 

Aristotle. The Rhetoric. Trans. W. Rhys Roberts. New York: The Modern Library, 1984. Print. 

 

Barthes, Roland. Elements of Semiology. Trans. Annette Lavers and Colin Smith. New York: Hill and Wang, 1967. Print.

 

—. Mythologies. Trans. Annette Lavers. New York: Hill and Wang, 1972. Print.

 

Barry, Ann Marie. Visual Intelligence: Perception, Image, and Manipulation in Visual Communication. Albany: State U of New York P, 1997. Print.

 

Blumenberg, Hans. The Legitimacy of the Modern Age. Trans. Robert M. Wallace. Cambridge: MIT P, 1983. Print.

 

Burke, Kenneth. Grammar of Motives. Berkeley: U of California P, 1969. Print.

 

—. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. Print.

 

—. A Rhetoric of Motives. Berkeley: U of California P, 1969. Print.

 

Campbell, Joseph. Myths to Live By. New York: Bantam Books, 1973. Print.

 

Doty, William G. Mythography: The Study of Myth and Rituals. 2^nd Edition. Tuscaloosa, U of Alabama P, 2000. Print.

 

Duncan, Randy and Matthew J. Smith. The Power of Comics: History, Form & Culture. New York: Continuum, 2009. Print.

 

Eco, Umberto. The Limits of Interpretation. Bloomington: Indiana U P, 1990. Print.

 

—. “The Myth of Superman.” Arguing Comics: Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: U P of Mississippi, 2004. Print.

 

—. Semiotics and the Philosophy of Language. Bloomington: Indiana U P, 1984. Print.

 

Eisner, Will. Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. New York: W. W. Norton & Co, 2008. Print.

 

Eliade, Mircea. Images and Symbols. Trans. Mairet, Philip. Princeton: Princeton U P, 1991. Print.

 

Engle, Gary. “What Makes Superman So Darned American?” Mythic Rhetoric of the American Superhero. Reading Packet. Com 4849: Special Topics in Rhetorical Studies. Dr. Shaun Treat. 2011. Print.

 

Foucault, Michel. The Archaeology of Knowledge and The Discourse of Language. New York: Vintage, 1982. Print.

 

Gross, Alan and Ray D. Dearin. Chaim Perelman. Albany: State U of New York P, 2003. Print.

 

Hajdu, David. The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America. New York: Picador. 2008. Print

 

Hill, Charles. “The Psychology of Rhetorical Images.” Defining Visual Rhetorics. Ed. Charles A.Hill and Marguerite Helmers. Mahwah: Lawrence Erlbaum Associates, Publishers, 2004. 41-62. Print.

 

Jenkins, Henry. “Just Men in Tights.” Confessions of an Aca-Fan. 19 March 2007. Web. 10 Oct. 2011.

 

Jung, C G. Ed. Man and His Symbols. New York: Dell Publishing, 1964. Print.

 

—. The Portable Jung. Ed. Joseph Campbell. New York: Penguin Books, 1971. Print.

 

Kick, Russ. Ed. The Graphic Cannon Vol. 1: From The Epic of Gilgamesh to Shakespeare to Dangerous Liaisons. New York: Seven Stories Press, 2012. Print.

 

—. The Graphic Cannon Vol. 2: From “Kubla Khan” to the Bronte Sisters to The Picture of Dorian Gray. New York: Seven Stories Press, 2012. Print.

 

Lawrence, John and Robert Jewett. The Myth of the American Superhero. Grand Rapids: Eerdmans Publishing Co., 2002. Print.

 

Martinich, A. P. Ed. The Philosophy of Language. New York: Oxford U P, 1996. Print.

 

McCloud, Scott. Understanding Comics: The Invisible Art. New York: HarperPerennial, 1994. Print.

 

Morrison, Grant. Supergods: What Masked Vigilantes, Miraculous Mutants, and A Sun God from Smallville Can Teach Us About Being Human. New York: Spiegel & Grau, 2012. Print. 

 

Overington, M. “Kenneth Burke and the Method of Dramatism.” Theory and Society 4 (1977). 131-156.

 

Perelman, Chaim and L. Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Tran. John Wilkinson and Purcell Weaver. Notre Dame: U of Notre Dame P. 1969. Print.

 

Perelman, Chaim. The Realm of Rhetoric. Trans. William Kluback. Notre Dame: U of Notre Dame P, 1982. Print.

 

Reynolds, Richard. Superheroes: A Modern Mythology. Jackson: U P of Mississippi, 1992. Print.

 

Shakespeare, William. The Annotated Shakespeare: Three Volumes in One. Ed. A. L. Rowse. New York: Greenwich House, 1988. Print.

 

Stainton, Robert J. Philosophical Perspectives on Language. Petersborough: Broadview P, 1996. Print.

 

Tucker, Robert E. “Figure, Ground and Presence: A Phenomenology of Meaning in Rhetoric.” Quarterly Journal of Speech 87.4 (2001): 396-414. Print.

 

Varnum, Robin and Christina T. Gibbons. Ed. The Language of Comics: Word and Image. Jackson: U P of Mississippi, 2001. Print.

 

Wolk, Douglas. Reading Comics: How Graphic Novels Work and What They Mean. Philadelphia: Da Capo Press, 2007. Print.

So, that version still contains many works and research materials that will play a crucial role in my dissertation. What follows now is the abbreviated version for the official document.

Working Bibliography 1.5

Barry, Ann Marie. Visual Intelligence: Perception, Image, and Manipulation in Visual Communication. Albany: State U of New York P, 1997. Print.

 

Burke, Kenneth. Grammar of Motives. Berkeley: U of California P, 1969. Print.

 

—. A Rhetoric of Motives. Berkeley: U of California P, 1969. Print.

 

Eco, Umberto. Semiotics and the Philosophy of Language. Bloomington: Indiana U P, 1984. Print.

 

Eisner, Will. Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. New York: W. W. Norton & Co, 2008. Print.

 

Eliade, Mircea. Images and Symbols. Trans. Mairet, Philip. Princeton: Princeton U P, 1991. Print.

 

Hajdu, David. The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America. New York: Picador. 2008. Print

 

Jung, C G. The Portable Jung. Ed. Joseph Campbell. New York: Penguin Books, 1971. Print.

 

McCloud, Scott. Understanding Comics: The Invisible Art. New York: HarperPerennial, 1994. Print.

 

Morrison, Grant. Supergods: What Masked Vigilantes, Miraculous Mutants, and A Sun God from Smallville Can Teach Us About Being Human. New York: Spiegel & Grau, 2012. Print.

 

Overington, M. “Kenneth Burke and the Method of Dramatism.” Theory and Society 4 (1977). 131-156.

 

Perelman, Chaim and L. Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Tran. John Wilkinson and Purcell Weaver. Notre Dame: U of Notre Dame P. 1969. Print.

 

 

So, now that we have all the pieces…let’s go and put this version together and see what kind of image our puzzle produces (hopefully it will make sense).